So, my original composition was too scattered. I wanted to convey the tragedy of Link being "the one that got away" for Malon, since all he wanted from that farm was milk and a horse.... not the farmer's hot daughter. ::facepalm::
Anyway, I think this works a lot better. It gives more attention to the dynamics between each character and the lighting really helps stage stage the scene.
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3 comments:
Smart move!
The comp looks a lot tighter now.
It's kind of odd that she's supporting his elbow. I think, Malon may seem more affectionate if her hand, sort of, rested on his arm? I don't know.
Well, she's introducing Link to Epona. Remember, by this time Link has pretty much just grown up in a few seconds. He's still new to this kinda thing.
Oh, okay. I thought that this was later on in their "relationship".
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